Security Theater
Security Theater00:00 The Cramps "Garbage Man"
03:31 from that movie with a bear.
03:41 Sebedoh "Flame"
08:33 Anton Karas, The Third Man theme song.
10:43 Wendy Carlos Bach's Prelude and Fugue in C
13:27 Desmond Dekker "Keep a Cool Head"
15:32 Terrence McKenna glossolalia
15:41 Mudhoney "The Money Will Roll Right In"
18:07 Jon Spencer Blues Explosion with Rufus Thomas "Chicken Dog"
"...The Blues Explosion turned instead to another musical legend: Stax/Volt star Rufus Thomas came into the studio, barked and crowed on "Chicken Dog," and was paid $500 for his troubles....Rather than Burnside and Thomas adding authenticity to the Blues Explosion’s sound, the band members prodded their would-be mentors into delivering shtick"
from "The Truth About The Jon Spencer Blues Explosion", Jim DeRegotis, 1997.
Well, I still like the song.
Rufus at Wattstax. See Wattstax.
21:00 07 Soul Love (ATOM's Pink Innards Mix)
from Ziggy Stardust Remixed, most of which is crap.
25:52 Staples Singers Respect Yourself (Live)
from Wattstax.
I liked Aretha's bigass hat like everyone else. And I love and respect Aretha.
But If you ask me- and you didn't-
Mavis Staples should have been the person to sing at Obama's inauguration.
30:15 Family Ties Milton Friedman clip.
30:59 Cypress Hill "Throw Your Set In The Air"
34:25 Shelley Duvall "He's Large"
from the 'Popeye' soundtrack.
Written by Harry Nilsson
37:58 The Clash "The Magnificent Seven"
42:18 Louis and Bebe Barron Forbidden Planet Theme
"The movie's innovative electronic music score (credited as "electronic tonalities", partly to avoid having to pay movie industry music guild fees) was composed by Louis and Bebe Barron. MGM producer Dore Schary discovered the couple quite by chance at a beatnik nightclub in Greenwich Village while on a family Christmas visit to New York City. Schary hired them on the spot to compose the film music score. The theremin had been used as early as 1945, in Spellbound, but their score is widely credited with being the first completely electronic film score. The soundtrack preceded the Moog synthesizer of 1964 by almost a decade.
Using equations from the 1948 book, Cybernetics: Or, Control and Communication in the Animal and the Machine by mathematician Norbert Wiener, Louis Barron constructed the electronic circuits which he used to generate the "bleeps, blurps, whirs, whines, throbs, hums and screeches".[5] Most of the tonalities were generated using a circuit called a ring modulator. After recording the base sounds, the Barrons further manipulated the material by adding effects, such as reverberation and delay, and reversing or changing the speed of certain sounds.[7]
As Louis and Bebe Barron did not belong to the Musicians' Union, their work was not considered for an Academy Award, in either the soundtrack or special effects category."
from The Barrons: Forgotten Pioneers of Electronic Music
44:06 Bonnie Prince Billy "The Eagle and the Hawk"
from Take Me Home: A Tribute to John Denver
44:59 Brian Eno "Just Another Day"
48:44 Isao Tomita excerpt of "Saturn The Bringer of Old Age" from Holst' 'The Planets'
51:26 Japancakes "To Here Knows When"
from their 2007 album on which they cover My Bloody Valentine 'Loveless' album in its in entirety.
55:51 Painted Hills, "Texas"
Ben Jones on steel guitar.
